
Mind @ MindSay 
My saying so ultimately aroused the suspicion first of my dharma friend Nikki and then of the master.
“Life is good,” one entry concluded, “life is short, and may all beings embody the great Way, resolving to awaken.”
In my journal I wrote often about the weather and often about the sky—the beautiful sky.
Not all of my entries were sappy or bland. I wrote about family and friends and colleagues, illnesses, deaths, divorces, transitions, about my experiences and interactions at the Temple, and I wrote about the master, but I wrote mainly about my students, my teaching, and my job.
Before I started journaling, I told the master, I thought my journal would be about thoughts and feelings that arise in meditation. In my daily life, I added, I thought about my brother’s separation from his wife and my concern for his two daughters; and I thought about my students and the problems they related in their papers. I knew that fragments of these concerns did arise in meditation, I explained, but they seemed to float away and dissolve when I returned to my breath. When I got up from my cushion I didn’t really remember any of the specific thoughts and feelings that had surfaced during zazen.
"They seem to have evaporated,” I said.
“So how important are these thoughts then really?” the master asked.
I mentioned that I had not experienced any of the painful psychic events I read about in the accounts of some meditators—guilt, remorse, shame, grief, terror, panic, dread—nor any of the ecstasy, euphoria, and bliss described in others. Nor did I have any interest in these mental states. But I wondered if in my meditation any unusual or unexpected mental formations might arise.
None had.
To my observations the master responded: “Perhaps none ever will—but they might.”
Many days my entry began with a description of my early morning drive to work. On my drive west on Maple Road, I saw dawn in my rearview mirror, an unearthly baby blue sky smeared with rippled stripes and streaks of clouds baby pink, an amazing neon amber, and orange. The empty snowfields between Eagle Run and Elkhorn were still unsullied, pure and bluish white, glowing dimly and strangely in the early light.
On another day in mid February the morning sky was a pale milky blue on my way west to work, the perfect circle of white moon mysteriously suspended high over the white snow and glowing dimly through the wisps and streaks of thin cloud like a frost-white light bulb and a translucent ghost of white low fog hovering in the valleys and vales all so still and beautiful it took my breath away.
Oh!
The new housing developments and apartment complexes, pale pastel earth tones, beige, light green, tan, cream, pale rose, pale yellow, set far back from the road on West Maple, looked like tiny Monopoly gameboard houses and hotels, doll houses, playthings, ephemeral and delicate. From my own moving vehicle at 50 mph, among the white fog, white cloud, white moon, white snow, white houses, I watched the blinking red and amber tail lights and turn signals of other drivers, the stream of cold white headlights moving eastward on my left also at 50 mph, and all around me like a permanent Christmas the street lights and commercial neon green, red, yellow, lavender, blue, and pink.
One morning sky in front of me had been a dim blue gray. In my rearview mirror I could see the lavender dawn slowly spreading to amber. The endless string of oncoming cars seemed again to crawl forward in superslow motion laboriously from the distant horizon in the west to the distant east behind me. I was reminded of a phrase I had read long ago in an anthology of Hindu theology.
Transmigratory existence.
Each day we loaded ourselves into our vehicles and traveled across the material plane from point to point and then each evening we loaded ourselves into them again and returned once more to the point from which we started.
The cars and trucks crawled on. Their pairs of cold white headlights, two by two by two by two, passed silently on my left.
To most of these descriptions the master offered no response. Only two or three times did he comment.
“This beauty is all around us when we see clearly.”
Yes.
I think though, even if an idea does shock, never rush - always be sure so as to not risk regret
I was just looking over my old entries and thinking how cryptic they can be lol :) - But I think I tend to speak generally, and philosophically
Lately I have noticed many people are doing this more and more often. like this guy I never really talk to except a few times. But the instance was on the profile he had that I was viewing was stating some books he likes and one was the "republic" and in parenthesis (Yes, I do enjoy reading greek philosophy). It's something about that that kinda bothers me. I know for certain that it wasn't the greek philosophy part because i am hoping to get into that sometime soon after i finish my contemporary philosophy reading material. I think the part that gets me is where he makes the note to tell the reader that he does in fact enjoy that, I assumed that by putting it in there we would get the point he does enjoy it. I would have liked that he put republic book in there but i never see it as a shock when people tell you of there enjoyments and expect you to be shocked. Am I supposed to be shocked? taken to a new level of understanding that would support you being different from "they"? who are they? I don't know. But they must not be worth it if simple things like that come as a shock.
or how about when people wear glasses? they were them sometimes and when you see a picture with them wearing their pieces and they leave personal comments that propose that they are ugly or that they wear glasses and so what? i'd hate to tell them that a lot of people wear glasses and that no one cares if your eyes are fucked up. but this might lower their self esteem. And I am not here to do that.
and so on and so on....
oh i also like organic food (Yes I like to take care of myself through heatlhy food habits)
It's the 2nd of 3 songs written by Mick Paul and I a while back, that I have selected to upload. Ths one shows off Mick's Bass skills a bit. I just wanted acoustic guitar and Bass in this, and I think it worked quite well. The vocals are a little off key in places. This song, and most of the others were only written hours before they were recorded, so I'm not that surprised at the mistakes in the mix.
The song is about a contreversial subject, though I'm not going let you know what it means here. You'll have to watch the vid to find out. I reveal the meaning near the end of the video. It gives a completely new angle on the words.
Returning to Mick. Here is some information on the history so far of this very talented guy:
Played on 2 singles in 1970.
He joined "The Hotshots" in 1973. They got to number 4 in the british chart with one of their releases.
Joined "Union express" in 1974 and toured around Europe for 2 years.
From 1978, he did some session work for the B.B.C. and for a various number of publishers.
He was also an in-house bass player at Abbeydale studios in West London.
Co-wrote the Labour Party campaign song in 1987.
Joined "More tea vicar in 1990.
He wrote and performed on a single called "Aquarius" for Yello records, produced by Tyrrell.
He played bass on the "David Hasselhoff" single "If we could only say goodbye" (Yes. It's The Hoff).
and there is more..
I'll give a web link to his recording studio in West Worthing, southern England:
This is the guy doing all the music in this song. The previous song, and the next song.
The title of this song is "Losing my mind". I hope you like it, and the Bass playing :)
Now for the Youtube stuff.
A rise in my subs to 692.
The Channel views are 15,540.
The overall vid views are 237,970. Still on target to hit a quarter of a million by the 17th of July. climbing at about a thousand views a day.
Coming next is the third of the old original songs, featuring Mick Paul.
I'm still beavering away on my album. Yesterday I woke up singing a song. Weird I know, but it was pretty good. I'm going to put the track together to see what it sounds like in real life, and if it's good enough, it can go on the album.
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