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I can stop fretting about starting UCAS application late now. I took advantage of the time in tutorial, had a mooch about on the university website, then started filling out my application forms.
Naturally, I can't fill all of it in yet, for I'm lacking all the codes and signitures - but I did all that I could do. I even made a FIRM POINT of writing DIXIE in my preffered name box. Hmmm, I'm not going through any more years of education with my tutors calling me a name I despise.
Sarah let us go early, so in this 1-hour gap - I went into the LRC - went up to the 3rd floor and started writing more of my scripts. I was mainly finishing off the Abigail film sequence script. I managed to get it all written, divided up and colour-coded - then Lewis came and found me.
We were proper late for Media Studies, so we ended up sat right at the back so we couldn't even see the frigging whiteboard. We had to watch that shitty Location, Location, Location clip where Middlesbrough was voted Britain's #1 worst town - then pick out the representational codes. It was tedious, but not exactly difficult.
Photography was a bit of a wasted effort. We practically came in for nothing because Paul wasn't even in. So I spent the lesson writing out more scripts - currently, I'm that obsessed with RCP and all my ideas, I can't keep them off my mind for longer than 20 minutes. It's horrible. More so because I'm going to have to wait at least a fortnight before we get to film anything.
I was annoyed in Film Studies.
Was mint though - Anne Marie set us off, she told us to come up with our own idea for a film, then we had to make a poster about it, noting narrative, characters, iconography and the rest. Naturally, this was just an excuse to ponder more into the film sequence I had planned - so my poster was all about Abigail.
I even decorated it with some little "items of iconography" - razors, knives, gravestones, broken glass, walking cane, wheelchair, blood, matches and candles. Then I drew little portraits of Abigail and Jonathan. They were so fucking epic - I wanted to keep my poster, but they were going on the wall... :(
Conway asked to see it, once she'd caught a glimpse. I wasn't arsed about showing her, but I didn't want to read out my ideas to everyone, so Anne Marie did it for me. Mwah.
Dixie currently feels:
Neutral
Neutral -----------------------------------------------------------------------------------
Blog #289
Obsessions & Annoyances
Obsessions & Annoyances
I can stop fretting about starting UCAS application late now. I took advantage of the time in tutorial, had a mooch about on the university website, then started filling out my application forms.
Naturally, I can't fill all of it in yet, for I'm lacking all the codes and signitures - but I did all that I could do. I even made a FIRM POINT of writing DIXIE in my preffered name box. Hmmm, I'm not going through any more years of education with my tutors calling me a name I despise.
Sarah let us go early, so in this 1-hour gap - I went into the LRC - went up to the 3rd floor and started writing more of my scripts. I was mainly finishing off the Abigail film sequence script. I managed to get it all written, divided up and colour-coded - then Lewis came and found me.
We were proper late for Media Studies, so we ended up sat right at the back so we couldn't even see the frigging whiteboard. We had to watch that shitty Location, Location, Location clip where Middlesbrough was voted Britain's #1 worst town - then pick out the representational codes. It was tedious, but not exactly difficult.
Photography was a bit of a wasted effort. We practically came in for nothing because Paul wasn't even in. So I spent the lesson writing out more scripts - currently, I'm that obsessed with RCP and all my ideas, I can't keep them off my mind for longer than 20 minutes. It's horrible. More so because I'm going to have to wait at least a fortnight before we get to film anything.
I was annoyed in Film Studies.
Was mint though - Anne Marie set us off, she told us to come up with our own idea for a film, then we had to make a poster about it, noting narrative, characters, iconography and the rest. Naturally, this was just an excuse to ponder more into the film sequence I had planned - so my poster was all about Abigail.
I even decorated it with some little "items of iconography" - razors, knives, gravestones, broken glass, walking cane, wheelchair, blood, matches and candles. Then I drew little portraits of Abigail and Jonathan. They were so fucking epic - I wanted to keep my poster, but they were going on the wall... :(
Conway asked to see it, once she'd caught a glimpse. I wasn't arsed about showing her, but I didn't want to read out my ideas to everyone, so Anne Marie did it for me. Mwah.
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